![]() ![]() Jacob Sujin Kuppermann: My beloved partner of five years hates pop music. Will Adams: If you’re seeking a trop-house song that successfully addresses the feeling of a crush taking over every waking and dreaming minute of your thoughts, try Zedd and Katy Perry’s overlooked “365.” But if you’re more in the mood for a song that makes you feel like music isn’t really that great after all, try this. Each element is completely detached from the rest of the song, but even on their own they don’t have much to offer. Finally there is 24KGoldn, who delivers some loud and slightly annoying verses, plus backing vocals in the last chorus, which are barely audible. Then there is Mabel, who has a nice voice but still has a hard time transmitting anything - and the cold production behind her doesn’t help. ![]() The violins are completely out of place they have a folk vibe, which sounds comical, especially when the lyrics are supposed to be sensual. ![]() Juana Giaimo: There is something very empty about this song. The pleasure of “Tick Tock” is route-one Clean Bandit: not their most ambitious, but a bright and sprightly trifle nevertheless. 24kGoldn, meanwhile, demonstrates preternatural expertise in turning up, taking his money and leaving almost no impression at all. Scott Mildenhall: Clean Bandit have a lot to teach Mabel in terms of iterating a recognisable sound while maintaining personality. Wayne Weizhen Zhang: The titular “tick tock” hook feels gimmicky and stilted, like the parties involved sat around a table trying to brainstorm what would connect well with “the youth.” The rest is a mess: the electronic and orchestral aspects of Clean Bandit’s production have never sounded so disjointed, Mabel suffers from her usual lack of charisma, and 24KGoldn’s sounds like it was slapped on in the right before the song’s release. Donnie Trumpet & the Social Experiment. ![]()
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